As part of the Gallery weekend special at Fahrbereitschaft GARAGE will open it’s doors to present several performances and installations from April 27th to April 29th. Participating artist are: Fabian Fabian Reimann, bücking&kröger, Irene Accardo and Matt Wilson, Marie Rechsteiner, Saskia Oidtmann and Katie Lee Dunbar.
www.buecking-kroeger.com
http://www.littlestrategiesforinstability.net/
PROGRAM:
Friday, April 27
15:00 – 15:30 Irene Accardo and Matt Wilson / The owl was a baker`s daughter / 20min
16:00 – 16:30 Saskia Oidtmann and Katie Lee Dunbar / femme study with various objects / 20min
17:00 – 17:30 Saskia Oidtmann and Katie Lee Dunbar / femme study with various objects / 20min
Saturday, April 28
12:00 – 18:00 Installation by Fabian Reimann / Hand Tool Interface
12:00 – 12.30 bücking&kröger / TOOLS – a handjob / 22min
13:00 – 13:30 Marie Rechsteiner / Pink confinement / Installation
14:00 – 14:30 Irene Accardo und Matt Wilson / The owl was a baker`s daughter / 20min
15:00 – 15:30 bücking&kröger / TOOLS – a handjob / 22min
16:00 – 16:30 Marie Rechsteiner / Pink confinement / Installation
17:00 – 17:30 Saskia Oidtmann und Katie Lee Dunbar / femme study with various objects / 20min
Sunday, April 29
12:00 – 18:00 Installation by Fabian Reimann / Hand Tool Interface
15:00 – 15:30 bücking&kröger / TOOLS – a handjob / 22min
16:00 – 16:30 Marie Rechsteiner / Pink confinement / Installation
17:00 – 17:30 bücking&kröger / TOOLS – a handjob / 22min
The owl was a baker’s daughter, Extract
Irene Accardo and Matt Wilson
A choreographic exploration of water, female hysteria, and creative passivity, in the context of the performer’s own biography and the true story of a woman who became famous while performing under hypnosis.
Irene Accardo is an Italian physical performer based in Berlin, who explores the topics of storytelling, identity, and heritage, through movement research and questioning the spectators’ perception of time and space. More at www.littlestrategiesforinstability.net/ Founding member of the collective space GARAGE.
Matt Wilson is an American theater maker, writer, producer, and curator based in Berlin, and the co-founder of the video and performance art platform, Space/Time Berlin (spacetimeberlin.com). His theatrical work has been produced in Chicago at the Prop Theater, in Boston at the A.R.T. Emerging America Festival, and in New York at Dixon Place, the Center for Performance Research, New York Theater Workshop, The Other Side Studio, Grace Performance Art Exhibition Space, and in a variety of non-conventional theatrical spaces including the former Convent of St. Cecilia’s Church, Kenny Scharf’s Cosmic Cavern, and Bushwick Project for the Arts’ mobile home encampment. He is also the co-founder of the New York experimental theater collective, Sister Sylvester.
Hand Tool Interface
Fabian Reimann
Die Interfaces, beipielesweise in diesem Moment, sind eine Tastatur, eine Computermouse oder ein Touchscreen. Bei genauerer Betrachtung können die meisten Nutzer kaum sagen, was damit gemacht wird. Und eben bei genauerer Betrachtung habe ich mich gefragt, wo und wie wir mit Interfaces umgehen, nur diese nicht so benennen würden.
Diese Frage stellte ich mir bei der Arbeit an dem Buch “Another Earth Catalog”, nachdem im Whole Earth Catalog “access to tools” der Untertitel war. Also genau genommen stellte ich mir die Frage, was schafft mir den Zugang zu einem Werkzeug? Zwischen der Arbeit ausführenden Hand und dem Werkzeug selbst befindet sich ein Gegenstand, der sowohl für die Form der Hand als der des Werkzeugs angefertigt ist. Als solche Dinge habe ich die Reihe “Hand Tool Interface” in der Art einer ethnologischen Sammlung
http://www.fabianreimann.de/Hand-Tool-Interface.185.0.html
»Hand Tool Interface« is a group of sculptures, made in Kontext of the exhibition “Another Earth”. Working about the »Whole Earth Catalog« this phrase frequently Pops up. Reflecting this Subtitel of the catalog, I took ›access to tools‹ literally, thinking about the actual access to a tool which is provided by some thing formed for the human hand as well as for the tool. Likewise I chose to work over some tool handles and present them like in an ethnological or prehistorical exhibition.
Fabian Reimann (*1975) studierte Germanistik, Kultur- und Kunstwissenschaften, Grafik-Design und Bildende Kunst in Bremen, Leipzig und Wien, arbeitete in zahlreichen narrativen Installationen oder Raumessays u.a. zu Atomforschung, Spionage, Kalter Krieg, Postkolonialismus, Utopieforschung. Mitbegründer des Magazins „Krachkultur“, der Produzentengalerie „Amerika“ (Berlin) und „Projekt Kaufhaus Joske“ (Leipzig). Zahlreiche Preise und Stipendien.
Diverse Publikationen, wie dem egozine „freeman’s journal“ (seit 2004), bei Spector Books, Leipzig: „The Surveyor“, 2011, „Another Earth Catalog“, 2012 „Amateur“, 2013, „Space Colonies“, 2017 und „The World Set Free“, 2018. www.fabianreimann.de
TOOLS a handjob
„Every time when an organ – or a function – frees itself from an old obligation, it invents something new. When the paw or hand is freed from the function of support of walking, it changes; it becomes the grasping organ and, finally reforms as a tool“ (Michel Serres).
Concept, choreography, performance: Florian Bücking und Raisa Kröger
Installation: Fabian Reimann
Sound: Julius Born
Production, dramaturgy: Johanna Withelm
Thanks to: battleROYAL, Dock11
bücking&kröger
Since 2014, bücking&kröger (Florian Bücking, Raisa Kröger and Johanna Withelm) have been working creatively with dance, architecture, performance and social sculpture in the broadest sense. Their works are characterised by a clear focus on the body and states/conditions associated with movement and are often created in collaboration with artists from other fields.
www.buecking-kroeger.com
Pink confinement
Concept, coreography: Marie Rechsteiner
Performers: Frida Yngvesson, Laura Giuntoli, Marie Rechsteiner